The free entry debate

I had dinner last week with senior staff from the Natural History Museum in London, here in Australia for the opening of the new Scott exhibition at the Australian National Maritime Museum. Do make time to visit it if you are in Sydney until October or catch it after that in London at NMH or mid next year in Christchurch at the Canterbury Museum. And spare a thought for our colleagues at the latter museum, who had just finished getting straight after the February 22nd earthquake when another one struck last week and took them almost literally back to square one again.
But coming back to NMH, they have a nice problem of over crowding. At weekends and on public holidays they can have as many as 22,000 visitors a day and that is significantly compromising the quality of the visit. Overall numbers grew by 10% last year taking them over the 3 million visitors a year mark , and fourth in the UK museum popularity stakes behind the British Museum, Tate Modern and the National Gallery. So their focus is now on how to fill the Museum on quieter days and also ensure the quality of the visit is maintained. Bear in mind that all National museums in the UK are still free entry, despite political murmurings of doing away with this.

Meanwhile on the other side of the Atlantic, achieving growth in visitor numbers is taxing senior museum executives, with numbers either plateauing or sliding at most major museums. One significant difference is that they are almost without exception ticketed entry institutions. The Met may still be the third most visited museum on the planet (after the Louvre (8.5m) and the BM (5.8m) at 5.2 m visitors per annum), but they have decided they need to raise the entrance fee on July 1st from $20 to $25.

That is causing some interesting debate as reported in the NY Times last week. Perhaps the most interesting are: a) whether public museums have a moral obligation like libraries to be free, i.e. should the public have to pay to see what belongs to them and b) how should an entrance fee compare in value to say a cinema ticket or a meal.

No one has a definitive answer to these issues, but there is little doubt that the acres of treasures at the Met remain good value for hours of edutainment even at $25. The bigger consideration is whether the rise is going to discourage lower income visitors, and indeed whether the price hike is in fact a way of limiting over crowding. The Met says very much not and points out quite validly that the entry fee is only recommended, and voluntary. Either way it is going to be interesting to watch their visitor numbers.

Julian Bickersteth
Managing Director
internationalconservationservices

Antarctic conservation matters

The heritage of Antarctic exploration is one of my passions. At ICS we have been deeply involved in the Antarctic Heritage Trust of New Zealand’s program conserving the some 15,000 artefacts that still remain in the four historic huts and various other structures in the NZ Antarctic Territory that survive from the Heroic Era of Exploration (1899 to 1916).

The project has had so many different facets from the process of writing conservation and implementation plans, to resolving logistics and finding conservators who are willing to spend six months in an Antarctic winter, most of it in 24 hour darkness. We are now into our sixth winter of conservators working at Scott Base conserving artefacts in the purpose built lab, and alongside that six summer seasons of conservators working out in the field at the historic huts.

The exposure that this conservation work has had has been fantastic for the profession – it has been referred to as ‘the most exciting conservation project in the world’. And that has been helped by some good publicity.

Primarily this has been through what must be one of the conservation profession’s longest running blogs hosted by the Natural History Museum in London. It is well worth trawling back through the last six years to see some real gems of postings.

More recently, last summer season Ben Fogle and a team from the BBC spent two weeks at Scott’s Hut at Cape Evans filming conservators in action, the resulting documentary being screened on prime time UK tv a couple of weeks ago. Again it is great to see conservators as the focus of the story. You can watch it here. 

2012 is shaping up to be a big year for Antarctic exploration aficionados. It is after all the year that Douglas Mawson’s Australasian Antarctic Expedition landed in Commonwealth Bay (January 7th), Amundsen (having reached the South Pole in December 1911) announced his success from the steps of Hobart Post Office on March 9th, and Scott, having also reached the Pole, died on the return trip about March 28th 1912. I am busily organizing a meeting of the ICOMOS International Polar Heritage Committee for March next year in Hobart, during which we intend to re-enact Amundsen’s announcement.

And finally to commemorate the centenary of Scott’s expedition the Natural History Museum, London, the Canterbury Museum, Christchurch and the Antarctic Heritage Trust have collaborated to create an international travelling exhibition that will open at the Australian National Maritime Museum, Sydney in mid June 2011. It will include a stylised representation of Scott's expedition hut at Cape Evans as per below. Check it out here.

Julian Bickersteth
Managing Director
internationalconservationservices