Conservation still matters

The AICCM Conference wrapped up in Canberra at the week end, and I think the profession came away feeling that we are in reasonable shape. This was particularly driven by the conference focus being on the bigger contextual issues of our work, rather than the detailed expose of individual object treatments.

Three areas for me are particularly worth commenting on:

• Vicki Humphrey, the newly appointed Head of Conservation at the National Museum of Australia gave a great paper on the gentle art of persuasion. Her point is that conservators have not always been good at communicating their message and stories, and the value of their work, and that we can use some linguistic tools to help us to do so. She drew on the Aristotelian theories of persuasion to help us think better about how we communicate. These include ethos, concerning the credibility and moral competence of the source of the message; logos, concerning the rationality and logicality of the message itself; and pathos, the emotions of the audience. In other words conservators need to be authoritative as a source of information, clear and logical in what we are saying and sensitive to the audience to whom we are delivering the information.


• MaryJo Lelyveld, Conservator of frames and Furniture at the National Gallery of Victoria looked into the future with a most stimulating paper on the future for the profession using scenario planning techniques, a process she is studying for a Masters degree at Swinburne University. MaryJo included some interesting thoughts on what we as conservators need to be prepared for in the cultural sector, including:

- gameification of educational and cultural heritage experiences

- increasing commercialisation of the GLAM sector

- increased damage from extreme weather events and terrorist attack

- rise in volunteerism both out of necessity and interest

• Conservators as proponents for changes in environmental standards in the GLAM sector . This is an area I am helping to drive through chairing the AICCM Taskforce on Environmental Guidelines for Museums and Galleries. What became clear at the conference is that a) the profession is fully on board with the issues involved, including the risk of damage resulting form relaxation of temperature and relative humidity parameters but b) the profession is also up to the challenge of working with organisations and the public to explain the necessity for these changes and also minimise what damage may result to our cultural collections.

Let me know if you would like to hear more on any of these issues.

Julian Bickersteth
Managing Director
internationalconservationservices

Why conservation matters

It’s that time again when Australian conservators get together for their bi-annual conference under the auspices of our professional body the AICCM. This year we are meeting at the National Library in Canberra, which is proving to be a great venue, not least because the Queen came past in her motor boat yesterday morning to see what we were up to!

The conference kicked off with an absorbing keynote address from Sam Jones of the UK Demos Institute. Sam has written widely on cultural issues, and is particularly known to conservators through his co authorship of ‘It’s a Material World’, which looked at the impending closure of the world renowned Textile Conservation Centre at the University of Southampton in 2006 (since reopened at the University of Glasgow). Apart from being very well connected in the museum and cultural world, Sam also has the advantage of seeing things from the other side, having been seconded for a year to work within the UK Government’s DCMS.

His fundamental point to us as conservators was that we have a key role to play in ensuring the health of society, because we deal in the long term values of social well being in a world of political and financial short termism.

He provided three examples of where we can play a role in communicating why conservation matters:

• By telling the story of how and why things were made in the way they were. In a world of consumerism we can help keep alive the set of values that explain the importance of thinking about how things were made and where they come from. We do that already with food, e.g. Fair Trade products, and need to do it more with made things.
• By getting policymakers to see culture differently. It is extraordinarily opportune that the Government’s call for submissions on the new Cultural Policy closes this week, and we have been busy as an Institute putting the case for the role conservation can play as part of this. Sam’s point is that cultural policymakers need to break free from existing structures and explore new spaces. As he says ‘Culture roots us in our past and enables us to imagine and explore our future”.
• By standing for a wider ethos of care, a means of connecting with deeper values. We live in an age of great uncertainty whether it is through financial challenges or more deeply the rise of mixed culture societies. Showing value in the world about us and how cultural capital is the glue that hold communities together is a role that conservators can readily take.

Big picture stuff but a very stimulating way to start the conference. More soon.

Julian Bickersteth
Managing Director
internationalconservationservices